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Erte Gallery2
Gallery 2
Erte (Romain de Tirtoff)
Erte was born Romain de Tirtoff in November, 1892, in St. Petersburg, Russia. He left for Paris at the age of nineteen to pursue his career in the arts. Considered the father of the Art Deco design movement, Erte left his mark on fashion, theater and design. For more than 80 years, Erte produced work that changed the world of art. He was one of the most famous and beloved artist of the 20th century. 
Gallery 1
Erte: Byzantine Sculpture
The Russian-born painter Romain de Tirtoff, who called himself Erté after the French pronunciation of his initials, was one of the foremost fashion and stage designers of the early twentieth century. From the sensational silver lamé costume, complete with pearl wings and ebony-plumed cap, that he wore to a ball in 1914, to his magical and elegant designs for the Broadway musical Stardust in 1988, Erté pursued his chosen career with unflagging zest and creativity for almost 80 years. On his death in 1990, he was hailed as the "prince of the music hall" and "a mirror of fashion for 75 years". 

Born in St. Petersburg and destined by his father for a military career, Erté confounded expectation by creating his first successful costume design at the age of five, and was finally allowed to move to Paris in 1912, in fulfilment of his ambition to become a fashion illustrator. He soon gained a contract with the journal Harper's Bazaar, to which he continued to contribute fashion drawings for 22 years.Erté is perhaps best remembered for the gloriously extravagant costumes and stage sets that he designed for the Folies-Bergère in Paris and George White's Scandals in New York, which exploit to the full his taste for the exotic and romantic, and his appreciation of the sinuous and lyrical human figure. As well as the music-hall, Erté also designed for the opera and the traditional theatre, and spent a brief and not wholly satisfactory period in Hollywood in 1925, at the invitation of Louis B. Mayer, head of Metro-Goldwyn-Meyer.

After a period of relative obscurity in the 1940s and 1950s, Erté's characteristic style found a new and enthusiastic market in the 1960s, and the artist responded to renewed demand by creating a series of colorful lithographic prints and sculpture. This luxuriously illustrated museum contains a rich and representative selection of images, drawn from throughout Erté's long and extraordinary productive career.
Erte: "Aphrodite" Brooch
John Bryans: Victorian Beach House, Acrylic
John Bryans: Dayton House, Acrylic

Erte: "Aphrodite" Necklace
Erte: Byzantine Sculpture
Erte: "Oriental Tale" - Lithograph
"Willow Tree - Asian Princess Suite" - Lithograph
"Aphrodite" - Brooch
"Aphrodite" - Necklace